Dr. Robert Wood stands behind a mosaic diffraction grating,
1944,
Andreas Feininger
The Eye of Love,
1953,
René Groebli
A Bigger Splash,
1967,
David Hockney
Ton coeur,
1970,
Pablo Palazuelo
Man’s head,
1953,
Eduardo Paolozzi
Landscape with five houses,
1932,
Kazimir Malevitch
Beinecke Rare Book and Manuscript Library,
1963,
Gordon Bunshaft
Robert Smithson on the Spiral Jetty,
1970,
Gianfranco Gorgoni
Le ballon rouge,
1956,
Albert Lamorisse
Villa Adriana,
IIe siècle,
Koolhaas HouseLife,
2008,
Ila Beka, Louise Lemoine
Tomba Brion,
1978,
Carlo Scarpa
L’éléphant triomphal,
1758,
Charles Ribard
Cervidés,
1910,
Didier Marcel
Mobiles,
1976,
Alexander Calder
La pagoda,
1965,
Miguel Fisac
Chapelle sur le chemin de Saint-Jacques,
1954,
Francisco Javier Sáenz de Oiza
Tabula,
1976,
Simon Hantaï
Oficinas Bacardí,
1961,
Ludwig Mies van der Rohe
UNAM,
Jorge Yazpik
Piazza del campo,
1951,
Louis Kahn
Voyage au centre de la Terre,
1864,
Edouard Riou
Museum on the Seashore,
1951,
Lina Bo Bardi
Powers of Ten,
1977,
Charles & Ray Eames
Ficciones,
1944,
Jorge Luis Borges
Swimmobile,
1960s,
New York City,
1962,
Lee Friedlander
La sombra dibujada,
1994,
Guillermo Pérez Villata
Les liaisons dangereuses,
1936,
René Magritte
Women Are Heroes,
2008,
JR
Piscine pour pingouins,
1934,
Berthold Lubetkin
Carré blanc sur fond blanc,
1960,
Kasimir Malevitch
Celestial Real Estate Company,
1909,
A.B. Walker
Casa y taller,
1940,
Luis Barragán
Masterplan,
2011,
Chad Wright
Gobierno Civil,
1964,
Alejandro de la Sota
La Grande Guerre Façades,
1964,
René Magritte
Architektur denken,
2007,
Peter Zumthor
Concetto Spaziale,
1960,
Lucio Fontana
Fifteen variations on a single theme,
1938,
Max bill
Insustrias y andanzas de Alfanhuí,
1951,
Rafael Sánchez Ferlosio
Nuova Pianta di Roma,
1748,
Giambattista Nolli
Working towards greater New York,
1940,
Martin Munkacsi
House of cards,
1952,
Charles & Ray Eames
Mon Oncle,
1958,
Jacques Tati
Oikema,
1780s,
Claude-Nicolas Ledoux
View of Constantinople,
1929,
Oskar Kokoschka
Sydney,
1965,
Jørn Utzon
Nighttime Long Exposures of Rotating Helicopter Blades,
1949,
Andreas Feininger
Cirque Calder,
1931,
Alexander Calder
Décor de la Flûte Enchantée,
1815,
Karl Friedrich Schinkel
L’étreinte,
1917,
Egon Schiele
Filial de la Seat,
1958,
C. Ortiz-Echagüe, R. Echaide
Circo,
1993,
Mansilla+Tuñón+Rojo
Spiral Jetty,
1970,
Robert Smithson, Richard Serra
Rivers & Tides,
2005,
Andy Goldsworthy
MUSEU,
1999,
Mansilla+Tuñón
Graphic Object,
1967,
Mira Schendel
Cénotaphe à Newton,
1784,
Etienne-Louis Boullée
Laboratorio experimental,
1950s,
Jorge Oteiza
Cien años de soledad,
1967,
Gabriel García Márquez
Elogio del agua (gravitación),
1987,
Eduardo Chillida
The box,
1941,
Ralph Erskine
Mimicry Chairs,
2012,
Nendo
The artist lives dangerously,
1938,
John Gutmann
Laboratorio de Tizas,
1972,
Jorge Oteiza
Kröller-Müller Museum,
1965,
Gerrit Rietveld
A line made by walking,
1967,
Richard Long
Museo CCRR,
2015,
Mansilla+Tuñón
Cork Space,
2013,
Aires Mateus
Bird-apartment,
2012,
Nendo
The Belly of an Architect,
1987,
Peter Greenaway
Hufeisensiedlung,
1925,
Bruno Taut
Huesos de hormigón,
1960s,
Miguel Fisac
La Butaca,
1970,
Antoni Tàpies
A cast of the space under my chair,
1965,
Bruce Nauman
Lalibela,
XIIIe siècle,
Bete Giyorgis
Mile long drawing,
1968,
Walter de Maria
Chronoscope,
1962,
Max Bill
Pavillon Nordique,
1962,
Sverre Fehn
Seagram Building,
1958,
Ludwig Mies van der Rohe, Philip Johnson
Les petits bateaux,
2011,
Friche & Cheap
Voyage en Grèce,
1976,
Alvaro Siza
Monumento a José Batlle y Ordoñez,
1958,
Jorge Oteiza, Roberto Puig Alvarez
Untitled n8,
1959,
Nigel Henderson
Symphonie Anthropométrie,
1960,
Yves Klein
Lieux possibles 1,
2008,
Bruit du frigo
The Apartment,
1960,
Billy Wilder
Abbaye du Thoronet,
XIIe siècle,
Pintura 9,
1959,
Hélio Oiticica
Permanent Model,
2009,
Monadnock
Les testaments trahis,
1993,
Milan Kundera
Pierre à douze angles,
Cuzco
Pensar con las manos, construir con la cabeza,
2004,
Alberto Campo Baeza
Pedestrian Crossing Center White Line on 34th Street,
1948,
Robert Frank
I like America and America likes me,
1974,
Joseph Beuys
